David Novarr, The Disinterred Muse: Donne's Texts and Contexts (Ithaca, N.Y.: Cornell University Press, 1980). Exploiting and being exploited are taken as conditions of nature, which we share on equal terms with the beasts of the jungle and the ocean. In “Metempsychosis” a whale and a holder of great office behave in precisely the same way:

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A Sermon Vpon The VIII. Verse Of The I. Chapter of The Acts Of The Apostles (London: Printed by A. Mat for Thomas Jones, 1622). A Sermon, Preached To The Kings M tie. At Whitehall, 24. Febr. 1625 (London: Printed for Thomas Jones, 1626). Rosalie L. Colie, Paradoxia Epidemica: The Renaissance Tradition of Paradox (Princeton: Princeton University Press, 1966). Six Sermons Vpon Severall Occasions (London: Printed by the Printers to the Universitie of Cambridge, sold by Nicholas Fussell & Humphrey Mosley, 1634).Joseph E. Duncan, The Revival of Metaphysical Poetry: The History of a Style, 1800 to the Present (Minneapolis: University of Minnesota Press, 1959). Devotions Upon Emergent Occasions, edited by Anthony Raspa (Montreal: McGill-Queen's University Press, 1975). His place in the Egerton household also brought him into acquaintance with Egerton’s domestic circle. Egerton’s brother-in-law was Sir George More, parliamentary representative for Surrey. More came up to London for an autumn sitting of Parliament in 1601, bringing with him his daughter Ann, then 17. Ann More and Donne may well have met and fallen in love during some earlier visit to the Egerton household; they were clandestinely married in December 1601 in a ceremony arranged with the help of a small group of Donne’s friends. Some months elapsed before Donne dared to break the news to the girl’s father, by letter, provoking a violent response. Donne and his helpful friends were briefly imprisoned, and More set out to get the marriage annulled, demanding that Egerton dismiss his amorous secretary. The English writer and Anglican cleric John Donne is considered now to be the preeminent metaphysical poet of his time. He was born in 1572 to Roman Catholic parents, when practicing that religion was illegal in England. His work is distinguished by its emotional and sonic intensity and its capacity to plumb the paradoxes of faith, human and divine love, and the possibility of salvation. Donne often employs conceits, or extended metaphors, to yoke together “heterogenous ideas,” in the words of Samuel Johnson, thus generating the powerful ambiguity for which his work is famous. After a resurgence in his popularity in the early 20th century, Donne’s standing as a great English poet, and one of the greatest writers of English prose, is now assured. Douglas Bush, English Literature in the Earlier Seventeenth Century, 1600-1660 (Oxford: Clarendon Press, 1945).

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Anne Ferry, All in War with Time: Love Poetry of Shakespeare, Donne, Jonson, Marvell (Cambridge, Mass.: Harvard University Press, 1975). The force of the petition measures the dire extremity of his struggle with himself and with God’s adversary. Donne pleads with God that he too has an interest in this contention for the sinner’s soul: “Lest the world, flesh, yea Devil put thee out” ( Divine Meditations 17). The drama brings home to the poet the enormity of his ingratitude to his Redeemer, confronting him bodily with the irony of Christ’s self-humiliation for us. In Divine Meditations 11 Donne wonders why the sinner should not suffer Christ’s injuries in his own person:molto raro che chi sceglie di condividere un viaggio in macchina in carpooling ne ottenga qualcosa di buono, a parte forse la sensazione di aver fatto qualcosa per l’ambiente. Tuttavia, nel 2017, la fotografa franco-svizzera Clélia Odette, di stanza a Bruxelles, si è ritrovata in una situazione che ha profondamente influenzato i suoi lavori successivi. In particolare, durante l'azione di monitoraggio, ci riserviamo il diritto di rimuovere i commenti che: